Projects
The Dis/Appeared ◦ 2018
// a video essay that theorizes colonial regimes of perception in contemporary Palestine.
// a video essay that theorizes colonial regimes of perception in contemporary Palestine.
La Orilla Infinita (The Infinite Shore) ◦ 2018
// a photo essay that explores three histories on the Canary Islands brought together by the surrounding sea.
// a photo essay that explores three histories on the Canary Islands brought together by the surrounding sea.
Negative Monument ◦ 2018
// an open invitation to engage in the participatory yet imperceptible negation of a monument.
// an open invitation to engage in the participatory yet imperceptible negation of a monument.
Conditions of Possibility ◦ 2016
// an online documentary that theorizes the post-revolution/post-coup period in Cairo, Egypt.
// an online documentary that theorizes the post-revolution/post-coup period in Cairo, Egypt.
The Guantanamo Bay Museum ◦ 2012-? (Ongoing)
// a critical fiction exploring the legacies of the Guantanamo Bay detention facilities.
// a critical fiction exploring the legacies of the Guantanamo Bay detention facilities.
Texts in Mourning And Action ◦ 2014
// a networked intervention organized in solidarity with the Zapatistas of Chiapas, Mexico.
// a networked intervention organized in solidarity with the Zapatistas of Chiapas, Mexico.
A Future Memorial for NAFTA ◦ 2014
// an installation at the Mexico-US Border to mark the 20th anniversary of NAFTA.
// an installation at the Mexico-US Border to mark the 20th anniversary of NAFTA.
Bird Migration Authority ◦ 2013
// a critical fiction exploring the aesthetic, ethical, and political policing of migration in the EU.
// a critical fiction exploring the aesthetic, ethical, and political policing of migration in the EU.
Drone Crash Incident ◦ 2012
// a drone crash simulated on the campus of UC San Diego.
// a drone crash simulated on the campus of UC San Diego.
Border Haunt ◦ 2011
// a collective disruption of the networked policing of the Mexico-US Border.
// a collective disruption of the networked policing of the Mexico-US Border.
Texts
The Dis/Appeared (Script) ◦ 2018
// the script of the video essay “The Dis/Appeared”
// the script of the video essay “The Dis/Appeared”
No We Can’t ◦ 2018
// an exploration of practices of refusal and the (anti)politics of negation.
// an exploration of practices of refusal and the (anti)politics of negation.
BDS Statement ◦ 2018
// a statement written in response to an invitation to show work in the Haifa Museum of Art.
// a statement written in response to an invitation to show work in the Haifa Museum of Art.
Antisocial Media ◦ 2017
// a remix/cut-up/utopian-plagiarism of Guy Debord’s “The Society of the Spectacle” that reflects on the networked present.
// a remix/cut-up/utopian-plagiarism of Guy Debord’s “The Society of the Spectacle” that reflects on the networked present.
10 Preliminary Theses on Resistance ◦ 2017
// a speculative charting out of possible modes of resistance following the election of Donald Trump.
// a speculative charting out of possible modes of resistance following the election of Donald Trump.
10 Preliminary Theses on Trump ◦ 2017
// a diagramming of power following the election of Donald Trump.
// a diagramming of power following the election of Donald Trump.